I’ve mentioned before that I’ve managed for quite a few years now
to watch a movie a day on average, and sometimes I still think it’s a phase
I’ll eventually grow out of (you know, like life itself), but that seems
increasingly unlikely. It’s not just the pleasure I get from watching the
movies – although that’s never-ending – it’s also the process I maintain around
that: the selection, the note-taking, the Keeping of the List. I’m happy that
at least I’ve curbed some of my worst tendencies – in particular, I used to go
to see far more of the new Hollywood releases than I do now, even when I knew
in advance there was no chance of my liking them, but I never fall for that
now. I may still be a glutton, but at least I’ve realized I don’t have to stick
to what happens to be on the shelves at the corner store: we’re blissfully
close to the dream state where you can think of a movie, even a relatively
obscure one, and usually find a way to watch it within a few days. And since I
can think of a lot of movies, the
dream keeps rolling.
My first ipod
It must be revealing though that one of the main ways I convince
myself I’m not hopelessly obsessed with cinema is by also maintaining an even
more time-consuming twin obsession. Like just about everyone else, I used to be
into music a lot, and also like just about everyone else, my interest calcified
as I got older. When Apple introduced the ipod, over a decade ago, I was
intrigued by the ads, but I honestly didn’t think I’d use it enough to justify
the purchase (we laugh at this memory now). My wife got me one for Christmas,
maybe in 2001, give or take a year – compared to contemporary models, it looked
like a transistor radio, and I think it only (only!) held a thousand songs, but
it was still a transforming miracle. At that time, our dog Pasolini was around
two years old, and although I liked him and everything, I often found the
regular walking a bit of a grind. But with the ipod, I rapidly came to see the
walks as an opportunity to re-immerse myself in music.
Not too long after this, Rolling
Stone published their list of the best 500 albums ever made, and I seized
on this as an action plan, purchasing a new item off the list every month,
intermingled with a cross-section of new music and other investigations. Many
ipods later, there’s now over 35 days of music on there, and last year I
listened to all of it at least once (on average I get through three albums a
day – that’s how I approach the task, by album). This only happens of course
because I plan and organize my listening to make sure I cover it all, in such a
way that every day zigs and zags across genres and that my favourite material
is spread throughout the year. Frankly, I’m sure I spend more time than I
realize subliminally planning my ipod listening. I’d rather not realize.
Walking Ozu
I never just sit and listen to music though – that just makes me
restless – so those 35 days of listening are also 35 days of activity. The ipod
transformed my opinion of Paso’s walks; I became the most enthusiastic owner
imaginable. When Paso became too old to walk that much, and then when he died,
I went out on walks by myself, largely to maintain my listening statistics.
Then we got Ozu, a Labrador puppy; by now I was working from home, so most days
I did the majority of his walks (except on the days when he goes to Urban Dog,
without which I’d probably be writing this from the next world). Even if I say
it myself, Ozu is among the most diligently exercised dogs you’ll find in the
city. I mean, how many two year old Labradors are always exhausted?
Objectively, I guess I must know much more about music than the
average man my age, but I still feel overwhelmed by the subject. I’d never
think of trying to write about it in the way I do about cinema – I just don’t
have the language. But I don’t want it either. I’ve spent so much time
absorbing cinema, it’s virtually a second job. Music is the hobby, perpetually
fascinating in large part because of its mystery.
I’ve been phenomenally lucky to be able to spend so much time on
these two wonderful human creations. It doesn’t even stop there – I go to the
theatre more than the average person. But something has to give somewhere, and
in my case it’s reading – I only get through a few books a year, and even then,
many of those deal with cinema or music. You could reel off great books for
hours before hitting one I’ve actually read. Funnily enough, I read a lot of
book reviews, so I might be able to fake my way through many conversations on
the subject. I like to think I’ll do more reading one day. But it’s
increasingly hard to see exactly when that would happen.
Mainstream conversation
Of course, when I single out reading as the thing that has to
give, that shows you my view of things – I suppose it’s revealing in some way that
I didn’t say dance, or opera…or for that matter sports, or woodworking, or the
study of history. Our world overflows with richness and wonders, and it’s a
tragedy that the prevailing cultural conversation seems so divorced from any of
it. That is, more and more, if you listen to the mainstream media, you’re
assaulted by an ever-morphing line-up of flimsy phenomena that we’re implicitly
supposed to know and care about, and even serious news shows seem increasingly
to accept the premise that what’s trending on Twitter must be inherently meaningful.
And of course, everything just gets more ephemeral and neurotic and
disconnected as a result.
The state of things isn’t strong – many of us have trouble
accessing the lives we believe we were promised. I don’t want to make light of
that at all, or to make trite statements about rising above it. But the implicit
assumption behind much of what’s beamed at us is that we’ll stay packed in our
cages with our beaks cut off, swallowing whatever mulch comes down the chute. We’re
not all masters of our own fate, but no one else can force a consciousness to
squander itself on junk. None of us will ever do more than scratch the surface
of the accumulated human miracles, but even just that scratch, that trace of
your finger, justifies your existence.
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