Wednesday, March 26, 2025

Casino Royale (John Huston, Ken Hughes, Val Guest, Robert Parrish, Joseph McGrath, 1967)

 

The James Bond “spoof” Casino Royale, with its five credited directors, is frequently almost aggressively shoddy, with dashed-off special effects, a lurching plot, and little or no attempt to impose tonal consistency, which just sometimes, if you manage to orient your head the right (or should that be the wrong) way can seem like a loose-leaf radicalism. With multiple characters identified at various times as James Bond, the film suggests that the label and the myth already outpace the reality, and that as such the right of entry to the role of Bond might transcend calculations of age or gender or basic competence (in this respect the real world might still only partially be catching up, with the vague buzz over whether the character might next time be incarnated by something other than a white man). In tune with that philosophy, the film often feels almost randomly assembled: for example Peter Sellers is seen in the opening moments before disappearing for the best part of an hour, then later gets dispatched so offhandedly that one could miss it (lack of actorly cooperation apparently contributed to the choppiness, but maybe it’s all for the best); Woody Allen has a couple of disconnected scenes early on before popping up to dominate the end stretch; it’s a film where one scene might feature Oscar winners like John Huston and William Holden, and another might be given over to TV-level shtick delivered by the likes of Ronnie Corbett. The climactic showdown has the Americans arriving in the form of Cowboys and Indians, and the French as led by Jean-Paul Belmondo, and George Raft in a tuxedo delivering a single line, and two clapping seals, and Allen hiccupping up blue clouds, and it’s a mess that’s frankly very little fun to watch, but one truly wonders if anyone ever seriously imagined that it would be, or (more probingly) whether in truth watching Bond films has ever been. Burt Bacharach’s indelible score does its best to impose a buzzy sense of unity, but of course it could never be enough.

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