Thursday, November 8, 2018

HealtH (Robert Altman, 1980)


The minor reputation of HealtH among Robert Altman’s films isn’t really undeserved – it’s immediately recognizable (stylistically and tonally) as his, but in this case that often seems largely as a function of self-absorbed affectations, seldom revealing anything very meaningful about the situation under examination, or about anything beyond it. The setting is a resort hotel, and the national convention of a health association, focusing on a race for its presidency between two unsuitable individuals (Lauren Bacall and Glenda Jackson); the mix includes a White House representative (Carol Burnett) and her ex-husband (James Garner) who now works on the Bacall character’s campaign. That last detail, with its intimations of privileged connections and influences, is just part of a broad political allegory that includes various Watergate-inflected dirty tricks, a third candidate fighting hopelessly for attention, and (rather peculiarly) repeated comparisons between Jackson’s character and Adlai Stevenson. But again, this amounts to correspondences (for example, the entirely generic, or else incoherent, promises of the two candidates) and references rather than to resonant illumination or commentary, and in the end events mostly just peter out. Even Altman’s more notable movies – California Split – for instance, run the risk of being consumed by the underlying emptiness that they examine: in the case of HealtH, Altman’s interest in the edges and the backgrounds and the asides ends up looking like a reluctance to look too directly at anything at all (hucksterism and fake science don’t come under as concerted an attack as they might, for instance). But there are plenty of minor compensations, including the presence of all those name actors (albeit that they mostly seem to be moving in their own barely connecting worlds) and of Dick Cavett, very convincingly playing himself, trying in vain to squeeze some meaningful television out of all this, before settling down alone each night to watch Johnny Carson.

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