The Falls (Peter Greenaway, 1980)

 

For all the inherent absurdity of its premise, Peter Greenaway’s The Falls often almost convinces you to take it at face value, as a public-service-oriented alphabetically-ordered three-hour-fifteen-minute cataloguing of 92 people affected by a “Violent Unnamed Event” that among other things left its victims bearing mutations and afflictions both minor and outlandish (including in some cases being rendered immortal), and spawned multiple new languages; the film’s persuasiveness lies largely in its very existence, because if it weren’t in some respect true, or at least necessary, who would ever think to invent it? The Falls is in part then a great cinematic joke, maintained beyond what anyone else would judge to be reasonable (this is the only respect in which someone like Andy Kaufman comes to mind), its inventions often objectively funny, but never delivered in a way that encourages or even allows laughter. Indeed, the accumulation of so many ordinary-looking faces in dull interiors, of mundane traveling shots along inner-city London streets, of outdated typefaces and technologies, of so many references to birds (which in some way may have been responsible for the Event) and other recurring motifs constructs its own sense of entrapment, of being trapped in a work which might be not so much cataloguing as embodying the trauma (Borges is a compelling reference point). One of the film’s final case histories, involving a professional storyteller, cites an uncertainty over whether his creations were received primarily as allegories or as metaphors: similar questions might be applied to The Falls itself, being both a parody of the classically well-made, po-faced British documentary tradition and a near-ultimate application of it, exhaustingly trivia-obsessed and grandly all-seeing, studded with alluring mysteries (including the citing of other Greenaway works, such as The Tulse Luper Suitcases, which wouldn’t exist until decades later, as if transcending normal rules of chronology and causation).