Henri Verneuil’s
Mille
milliards de dollars doesn’t rank as a major film: among other things, it’s
of limited stylistic interest, and the narrative mostly takes a familiar form
of notable actors (Jeanne Moreau, Charles Denner and so forth) popping up for a
scene or two to point the way to the next link in the deductive chain. Patrick
Dewaere plays a journalist who receives a tip-off of scandal surrounding a
notable public figure: the investigation leads him deep into the machinations
of an American multi-national, and ultimately into the lingering moral stain of
WW2. The film retains interest for several reasons though. Viewed as a time of
anxiety about corporate power that transcends national boundaries and evades
political or regulatory control, it’s rather darkly instructive to view a 1982
film driven by similar concerns (albeit of course under very different
technological conditions): the influence is so invidious for instance that the
French subsidiaries are forced to exist on New York time, holding key meetings
in the middle of the night.Verneuil devotes a surprising amount of time in the corporate
weeds, inviting for us for instance to dive into the mechanics of a particular corporate
result that falls far short of the forecast, and having the corporation’s
leader (Mel Ferrer) deliver a mini-lecture on international transfer pricing.
The film’s tone can’t help but draw on the sad resonances surrounding Dewaere,
who would be dead by his own hand within months of the film’s release (a scene
in which a would-be assassin writes a fake suicide note on his behalf thus
assumes a particular chill). The closing stretch allows us some room for hope
that the truth can come out (an independent newspaper plays the role that
nowadays would most likely be filled by citizen journalism) while allowing the
journalist’s personal concerns rather to push aside the larger story. But maybe
that’s a mark of one thing that hasn’t changed over thirty-seven intervening
years: that the liberal and anti-corporatist cause must too often content itself
with strictly incremental steps forward.
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